BLUES FOR KIM ADDONIZIO | AMORAK HUEY This poem wants to make out with your poems so bad. It wants to be eighteen together, to taste vodka and OJ and cigarettes from their lips on a swamp-warm night in Panama City Beach, to roll around together on the gulf-blue carpet of their parents’ basement, Dirty Dancing unwinding ignored on the Magnavox. It wants to slide its hands under their magnificent sundresses, it wants the quick pecks, the hungry goodbyes, first base on front porches and porch swings and loveseats, second base in the back row of the Bama 6, Biloxi Blues casting uncertain shadows against cheekbones – all these unseen movies offering faint soundtrack for awakening – third base, every base and secret place, touch ’em all, touch each other until breath spills hot and quick and all the small sounds melt into words. This poem wants to grow old with your poems, marry young, run away, wait until they’re certain, walk dogs, conceive brilliant children, build shelves together. To catch your poems cheating and forgive them. To invent memories of things that never happened but should have. To read other poems with lust in its heart and confess to your poems before making love on a spring night when it’s almost too cold to leave windows open – quiet not to wake the kids. It wants dinner parties, family vacations, in-laws in the guestroom, whispered fights, dirty dishes, it wants to come home and have urgent sex in the minivan, front seat reclined, awkward against steering wheel and parking brake, pushing toward 11 o’clock in the detached garage, babysitter inside the house earning eight bucks an hour to watch “Project Runway” while the children sleep. This poem wants to listen to music with your poems. It wants them to fall in love with Howlin’ Wolf and Lightning Hopkins, it wants to have more in common with them than it does, it wants guitar, harmonica, vigor – stay young forever, drink, reminisce: honeysuckle and kudzu blossoms – all those rivers bending and lurching toward the gulf, water calling water home – the way place has a certain rhythm, the word rhythm turning thoughts to sex, not just the whiskey talking, it’s a flaw in this poem’s one-track mind, always wanting what it cannot have. Desire’s just another word for mourning – the gulf between all those lives we will never lead and the mornings when we wake alone, upside down and inside, inside, inside out. After 15 years as a reporter and editor, Amorak Huey recently left the newspaper business to teach writing to college students. He lives in Michigan. More at www.amorakhuey.net.http://www.amorakhuey.net/shapeimage_1_link_0

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SUMMER 2010 COVER OLEA EUROPAEA: YOUNG WOMAN WITH EROS ON HER SHOULDER THERESA KISHKAN RENAME THE BIRDS WESTON CUTTER BLUES FOR KIM ADDONIZIO AMORAK HUEY THEY DREAM OF AK-47s LAURA McCULLOUGH ON THIS SPOT MARK HAGE THIS PLACED MATTHEW ROBERSON LOCKED OUT EDWARD MC WHINNEY RECENT AWARD WINNERS SHERMAN ALEXIE MEREDITH MARTINEZ REVIEWS PHILIP PULLMAN SARAH ROSE DAVID AXELROD S.L. WISENBERG EDITH GROSSMAN IDENTITY PARADE Summer_2010.htmlTheresa_Kishkan_Olea_Europaea.htmlTheresa_Kishkan_Olea_Europaea.htmlTheresa_Kishkan_Olea_Europaea.htmlWeston_Cutter_Rename_the_Birds.htmlWeston_Cutter_Rename_the_Birds.htmlLaura_McCullough_They_Dream_of_AK-47s.htmlLaura_McCullough_They_Dream_of_AK-47s.htmlMark_Hage_On_this_Spot.htmlMark_Hage_On_this_Spot.htmlMatthew_Roberson_This_Placed.htmlMatthew_Roberson_This_Placed.htmlEdward_Mc_Whinney_Locked_Out.htmlEdward_Mc_Whinney_Locked_Out.htmlSherman_Alexie_Census.htmlhttp://www.contrarymagazine.com/Contrary/Love.htmlReviews.htmlPhilip_Pullman_Jesus_Christ.htmlSarah_Rose_For_All_the_Tea_in_China.htmlDavid_Axelrod_Departing_by_a_Broken_Gate.htmlSL_Wisenberg_Adventures_of_Cancer_Bitch.htmlEdith_Grossman_Why_Translation_Matters.htmlIdentity_Parade.htmlshapeimage_3_link_0shapeimage_3_link_1shapeimage_3_link_2shapeimage_3_link_3shapeimage_3_link_4shapeimage_3_link_5shapeimage_3_link_6shapeimage_3_link_7shapeimage_3_link_8shapeimage_3_link_9shapeimage_3_link_10shapeimage_3_link_11shapeimage_3_link_12shapeimage_3_link_13shapeimage_3_link_14shapeimage_3_link_15shapeimage_3_link_16shapeimage_3_link_17shapeimage_3_link_18shapeimage_3_link_19shapeimage_3_link_20shapeimage_3_link_21shapeimage_3_link_22shapeimage_3_link_23shapeimage_3_link_24
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