THREE PROSE POEMS | CLAUDIA SEREA

The snake

The Unbrother woke at night and made a clay snake. The snake told him to drown 
his brother. Brother woke up, caught the snake and threw it in the sky, to wind 
around the earth nine times and protect it from the flood. You can see it right there: 
the white snake stretched over the house with all its silver scales. Yeah, grandma, 
but what happened to the brothers? One of them lives in your heart. The other one 
coils in your belly.


Bigeye

Bigeye could see the grain of dust in the wind and the flame in coal. He could see the fish in the sea. He could see the child inside his mother’s womb, the tulip inside the bulb, the sap beneath the bark of trees, the grubs underground. He could see buried seeds and bones, the grass roots penetrating the graves.
But people clouded Bigeye’s vision. He couldn’t see the lies behind a straight face. Greed was a smudge and love a blur. Bigeye was afraid, so he went to the doctor and got big eyeglasses. He always wore them. That’s how he spotted the purple spider hanging inside his own left ventricle.


The worms

The giant used a huge rake deep across the garden and gathered the worms and grubs in mounds that soon grew into heaps. The giant smashed the worms with his boots. He drowned some; others he buried in the lead mines. Hundreds of thousands of squirmy worms shoveled, gone. Without them, the land withers and mills into dust, for everyone knows the worms weave the earth and keep it together.



Claudia Serea is a Romanian-born poet who immigrated to the U.S. in 1995. She is the author of two poetry collections: Eternity’s Orthography and To Part Is to Die a Little, forthcoming from Cervená Barva Press. She lives in New Jersey and works in New York for a major publishing firm.http://astore.amazon.com/contrary-20/detail/1599241684shapeimage_1_link_0
COMMENTARY | POETRY | FICTION | CHICAGO         ARCHIVES  | ABOUT  | SUBMISSIONS  | BOOKSHOP  | DONATE  | CONTACT  | SHAREArchives.htmlContrary.htmlSubmissions.htmlBookshop.htmlWritersFund.htmlContact.htmlhttp://www.addthis.com/bookmark.php?v=152&winname=addthis&pub=contrary&source=men-152&lng=en-us&s=undefined&url=http%3A%2F%2Fwww.contrarymagazine.com%2F&title=Contrary%20Magazine&logo=http%3A%2F%2Fwww.contrarymagazine.com%2Fcontramazon.jpg&logobg=F5F4F4&logocolor=&ate=AT-contrary/-/-/4b3771ea6b8ea1a5/1/4b329e0c06baac67&uid=4b329e0c06baac67&CXNID=2000001.5215456080540439074NXC&pre=http%3A%2F%2Fwww.contrarymagazine.com%2FContrary%2FAutumn-2009.html&tt=0shapeimage_3_link_0shapeimage_3_link_1shapeimage_3_link_2shapeimage_3_link_3shapeimage_3_link_4shapeimage_3_link_5shapeimage_3_link_6
http://www.contrarymagazine.com/
AUTUMN 2010 COVER

THREE PROSE POEMS
CLAUDIA SEREA

THREE PROSE POEMS
KRISTINE ONG MUSLIM

THE THING ABOUT DEPARTURES
TASHA COTTER

DAYDREAMING IN MY
LOVER’S ARMS AFTERWARD
DAMON McLAUGHLIN

THE POOL
DAVID MOHAN
FINGERS
MICHELLE MILLER

INSECT EFFECT
ANNIE BELLET


RECENT AWARD WINNERS
REBECCA LEHMANN
SHERMAN ALEXIE
MEREDITH MARTINEZ


REVIEWS
BENJAMIN PERCY
TOVE JANSSON
C.K. WILLIAMS
KARA CANDITO
BOB COWSER JR.
KATIE DONOVAN
SUSANNA DANIEL
Autumn_2010.htmlKristine_Ong_Muslim_Prose_Poems.htmlKristine_Ong_Muslim_Prose_Poems.htmlTasha_Cotter_Departures.htmlTasha_Cotter_Departures.htmlDamon_McLaughlin_Daydreaming.htmlDamon_McLaughlin_Daydreaming.htmlDamon_McLaughlin_Daydreaming.htmlDavid_Mohan_The_Pool.htmlDavid_Mohan_The_Pool.htmlMichelle_Miller_fingers.htmlMichelle_Miller_fingers.htmlAnnie_Bellet_Insect_Effect.htmlAnnie_Bellet_Insect_Effect.htmlhttp://www.contrarymagazine.com/Contrary/Factory.htmlSherman_Alexie_Census.htmlhttp://www.contrarymagazine.com/Contrary/Love.htmlReviews.htmlBenjamin_Percy_The_Wilding.htmlTove_Jansson_Travelling_Light.htmlCK_Williams_On_Whitman.htmlKara_Candito_Taste_of_Cherry.htmlBob_Cowser_Jr_Green_Fields.htmlKatie_Donovan_Rootling.htmlSusanna_Daniel_Stiltsville.htmlshapeimage_5_link_0shapeimage_5_link_1shapeimage_5_link_2shapeimage_5_link_3shapeimage_5_link_4shapeimage_5_link_5shapeimage_5_link_6shapeimage_5_link_7shapeimage_5_link_8shapeimage_5_link_9shapeimage_5_link_10shapeimage_5_link_11shapeimage_5_link_12shapeimage_5_link_13shapeimage_5_link_14shapeimage_5_link_15shapeimage_5_link_16shapeimage_5_link_17shapeimage_5_link_18shapeimage_5_link_19shapeimage_5_link_20shapeimage_5_link_21shapeimage_5_link_22shapeimage_5_link_23shapeimage_5_link_24shapeimage_5_link_25shapeimage_5_link_26